Writings

Chaya Czernowin: Conversations and InterludesContemporary Music Review, 34:5-6, 464-477, 2015

No Bodies There: Absence and Presence in Acousmatic PerformanceMusic and Gender, ed. Pirkko Moisala and Beverley Diamond (University of Illinois Press, 2000)

Going to Concerts to RejuvenateNewMusicBox, February 2, 2009

Building a House vs. Painting a LandscapeNewMusicBox, January 12, 2009

Song of HerselfNewMusicBox, December 15, 2008

In Praise of the Discerning EarNewMusicBox, November 17, 2008

Do As I Say, Do As I Do (If It Helps)NewMusicBox, November 3, 2008

Composer vs. Sound ArtistNewMusicBox, October 20, 2008

Listening for the Soul in the MachineNewMusicBox, October 6, 2008

To Tell the TruthNewMusicBox, September 22, 2008

Something to Talk AboutNewMusicBox, September 8, 2008

Do You Hear What I Hear?NewMusicBox, August 18, 2008

Unheard-of: Music as Performance and the Reception of the NewPerspectives of New Music, Vol. 32, No. 2 (Summer, 1994)

The Individual as Structure in Cornelius Cardew’s The Great Learning, Paragraph 7Journal of New Music Research, Volume 16, 1987 – Issue 4

Music to MarketUMBC Magazine, August 16, 2016

Linda Dusman: Leading a Creative LifeNewMusicBox, March 21, 2012

Review of Becoming Becoming Gertrude from the Capstone records album MUSIC/TEXT II — by Thomas Licata in Computer Music Journal, Volume 27, Number 2, Summer 2003

Response to Linda Dusman — by Susan McClary in Perspectives of New Music, Vol. 32, No. 2 (Summer, 1994)