Chaya Czernowin: Conversations and Interludes — Contemporary Music Review, 34:5-6, 464-477, 2015
No Bodies There: Absence and Presence in Acousmatic Performance — Music and Gender, ed. Pirkko Moisala and Beverley Diamond (University of Illinois Press, 2000)
Going to Concerts to Rejuvenate — NewMusicBox, February 2, 2009
Building a House vs. Painting a Landscape — NewMusicBox, January 12, 2009
Song of Herself — NewMusicBox, December 15, 2008
In Praise of the Discerning Ear — NewMusicBox, November 17, 2008
Do As I Say, Do As I Do (If It Helps) — NewMusicBox, November 3, 2008
Composer vs. Sound Artist — NewMusicBox, October 20, 2008
Listening for the Soul in the Machine — NewMusicBox, October 6, 2008
To Tell the Truth — NewMusicBox, September 22, 2008
Something to Talk About — NewMusicBox, September 8, 2008
Do You Hear What I Hear? — NewMusicBox, August 18, 2008
Unheard-of: Music as Performance and the Reception of the New — Perspectives of New Music, Vol. 32, No. 2 (Summer, 1994)
The Individual as Structure in Cornelius Cardew’s The Great Learning, Paragraph 7 — Journal of New Music Research, Volume 16, 1987 – Issue 4